TidBITS#572/19-Mar-01
=====================

  True online document collaboration gets its turn in this final
  part of Adam's series about electronic document collaboration, so
  read on to learn how to review or edit shared documents via free
  Web services. Joe Clark also finishes off his four-part
  accessibility series this week with a look at accessibility
  problems and solutions related to multimedia. In the news, we
  cover updates to Default Folder 3.1 and Web Confidential 2.2.1.

Topics:
    MailBITS/19-Mar-01
    Web Accessibility: Audio and Video on the Web
    Come Together: Document Collaboration, Part 3

<http://www.tidbits.com/tb-issues/TidBITS-572.html>
<ftp://ftp.tidbits.com/issues/2001/TidBITS#572_19-Mar-01.etx>

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MailBITS/19-Mar-01
------------------

**Default Folder 3.1 Released** -- St. Clair Software has released
  Default Folder 3.1, improving performance in Navigation Services
  and Save As dialog boxes and fixing a few bugs. The new version
  addresses one frustrating limitation of Apple's Navigation
  Services dialogs: with Default Folder 3.1, pressing Command and
  the up arrow key takes you one level higher in the file hierarchy,
  even when the keyboard focus is in the edit box. You can now also
  edit a file's Get Info comments from within file dialogs using
  Default Folder's Get Info command. Other fixes include an option
  to speed up the Recent menu in Navigation Services dialogs, and
  bug fixes in the Default Folder Control Strip Module and with
  LaserWriter 8 printer driver Save As dialogs. Default Folder is a
  free update for registered users, and is a 1.1 MB download. [JLC]

<http://www.stclairsoft.com/DefaultFolder/>


**Web Confidential 2.2.1 Adds Import and More** -- Alco Blom has
  released Web Confidential 2.2.1, the latest version of his utility
  for storing passwords and other sensitive information in a highly
  secure file on Macs, Windows-based PCs, and Palm handhelds.
  (See "Web Confidential: Securing Information of All Sorts" in 
  TidBITS-441_ and "Web Confidential 2.0 Syncs with Palm Devices"
  in TidBITS-531_.) Changes since 2.0 include a tab-delimited text
  import feature, the capability to change the category of a card,
  an option to show passwords as text rather than bullets, a new
  file format that's compatible with the format used by the Windows
  version of Web Confidential, and an updated Palm conduit to handle
  the new file format. Web Confidential for Palm has also received
  an update to version 1.2.1, adding more options for auto-locking
  of your password file, random password generation, beaming of
  records, and the capability to hide the passphrase when entered.
  Web Confidential 2.0.1 is a 710K download, and Web Confidential
  for Palm is a 220K download; each is $20 shareware or $35 bundled.
  Upgrades are free for registered users.

<http://www.web-confidential.com/>
<http://db.tidbits.com/getbits.acgi?tbart=05020>
<http://db.tidbits.com/getbits.acgi?tbart=05938>

  Web Confidential now has competition from Selznick Scientific
  Software's recently released $15 shareware PasswordWallet 2.0.1,
  which offers similarly strong encryption, a $12 Palm version, and
  a simpler interface. However, it lacks many of Web Confidential's
  extensive customization options and has no categorization
  features. Still, if the more-powerful Web Confidential is overkill
  for your needs, give PasswordWallet a look. The Mac version of
  PasswordWallet is a 390K download; the Palm version 27K. [ACE]

<http://www.selznick.com/products/passwordwallet/>


Web Accessibility: Audio and Video on the Web
---------------------------------------------
  by Joe Clark <joeclark@joeclark.org>

  Last week, I described what it means for a Web site to be
  accessible to people with disabilities (see "Web Accessibility:
  Surfing the Web Blind" in TidBITS-571_). Everything rests on the
  way Web pages are coded and the adaptive technology a disabled Web
  surfer uses to read the page. Things are slowly improving, but
  conditions are not good in general. Web accessibility essentially
  refers to access for blind and visually-impaired people, but few
  Web authors even know about accessibility, and fewer still take
  the time to do things right. Meanwhile, with only one screen
  reader (a program that reads text, menus, and the like aloud)
  available for Macs - and which doesn't work well with Web sites -
  blind computer users are better off using Windows.

<http://db.tidbits.com/getbits.acgi?tbser=1189>

  But all that pertains to Web sites containing nothing but text and
  graphics. What about sites reliant on those sexy QuickTime movies
  or Flash animations?


**Multimedia Access** -- Any kind of online video presents severe
  accessibility problems by being inaccessible to the deaf (who
  can't hear the audio) and to the blind (who can't see the video).

  What to do? Here we must borrow a trick or two from older media.
  Television and film have grappled with accessibility for decades,
  and since the forces of convergence are trying to make the
  Internet look a lot like television, the lessons are transferable.

  You make video accessible to deaf and hard-of-hearing viewers
  through captioning: transcription of dialogue and rendition of
  other relevant sounds. Captioning isn't the same as subtitling -
  among other differences, subtitles are often used for language
  translation (captions use the same language as the audio) and
  subtitles render only speech, and not always all of it, either.

<http://www.joeclark.org/understanding.html#subtitling>

  Captions are usually "closed" - you need a decoder to make them
  visible. Canada, the United States, and a select few other regions
  use one system (called Line 21), while Europe and pretty much
  everywhere else use a different system (called World System
  Teletext). The systems are incompatible, but then again, telecasts
  themselves are incompatible between continents. Gary Robson's
  Caption FAQ will tell you more.

<http://www.robson.org/capfaq/>

  If captions are part of the original video footage and can't be
  turned off, they are said to be "open." There isn't much open
  captioning these days, while nearly all subtitling is open. More
  than just video can be captioned: captioning in first-run movie
  theatres is up and running, but hard to find.

<http://www.mopix.org/>

  Meanwhile, you can make video accessible to blind and visually-
  impaired viewers through audio description, in which a narrator,
  working from a tightly honed script, describes out loud the
  character movements, settings, costumes, titles, and other visual
  information needed to understand what's really going on. The
  descriptions are usually delivered during natural pauses in
  dialogue. The largest sources of audio description are on
  television - on PBS and the Turner Classic Movies channel, both in
  the United States. WGBH, Boston's public broadcasting channel, and
  The Kennedy Center offer a taste of audio description online.

<http://main.wgbh.org/wgbh/access/dvs/dvstv.html>
<http://main.wgbh.org/wgbh/access/dvs/dvsclip.html>
<http://kennedy-center.org/multimedia/surface/home.html>

  If you can play Region 1 DVDs, you can watch subtitles and listen
  to audio descriptions on the only DVDs with audio description,
  Terminator 2 and Basic Instinct. (They work fine on a DVD-capable
  Mac.) Also, a new three-disc DVD set from PBS, Abraham and Mary
  Lincoln: A House Divided, is due in March 2001 featuring captions,
  DVD subtitles, audio descriptions, and, for the first time,
  audiovisual interface menus.

<http://us.imdb.com/DVD?0103064>
<http://us.imdb.com/DVD?0103772>
<http://main.wgbh.org/wgbh/access/dvs/presspage.html>

  Sounds good, doesn't it? But there are a few hiccups.

  There is no longstanding production experience in multimedia
  accessibility. Captioning and DVD subtitling is comparatively
  cheap - in the hundreds of dollars an hour range - but if your
  site isn't affiliated with a rich television network or production
  studio, that figure ceases to be cheap. Audio description is cheap
  only in movie-budget terms, running about $10,000 per motion
  picture. Costs will continue to go down, but only gradually.
  Another complication linked to the knowledge gap: multimedia
  authors should _not_ try to caption, subtitle, describe, or dub
  their own productions, because they're virtually guaranteed to get
  it wrong. So authors are stuck: the quality won't be up to snuff
  if they try to do it in-house on the cheap, but outside services
  cost good money, and very few do work for online media.

  Online systems for closed captioning and audio description are
  poorly supported. It is possible to embed captions in a QuickTime
  movie, and there's an entire HTML-like syntax for marking up
  captions and audio descriptions (called Synchronized Media
  Interchange Language or SMIL), but incompatibilities are rife.
  There are so many online video players out there (QuickTime,
  RealVideo, Windows Media, etc.), with so many versions, that you
  cannot rely on your visitor to have the right plug-in or software.
  Plus, Apple's documentation for SMIL support in QuickTime 4.1
  spends a lot of time explaining how it can be used to embed
  advertising but no time discussing accessibility applications.

<http://www.w3.org/TR/REC-smil/>
<http://www.w3.org/TR/SMIL-access/>
<http://www.alistapart.com/stories/smil/>

  Making audio descriptions hidden (so you can turn them on and off)
  is difficult or impossible in the various online formats. In any
  event, closed accessibility is unnecessary in multimedia. With
  technologies like Akamai that distribute large files over many
  servers to speed up delivery times, and with disk space so cheap
  these days, it makes more sense to offer separate versions of an
  online video with open access features that can't be turned off.
  You simply select a captioned (or subtitled, or described, or
  dubbed) version from a menu and that's the one you watch.

<http://www.akamai.com/>
<http://www.contenu.nu/200008.html#access>

  Another hiccup is that nobody's making captioned or audio-
  described video. Period. It just isn't happening. Virtually all
  the "content" that's available takes the form of brief
  demonstration projects.

<http://main.wgbh.org/wgbh/pages/ncam/richmedia/>

  Why not? There are very few tools. Adobe Premiere and similar
  authoring programs don't let you create captions and audio
  descriptions. (You can kludge together some titles, but how long
  are you going to put up with a kludge?) One specialized tool,
  MAGpie, works only on Windows.

<http://main.wgbh.org/wgbh/pages/ncam/webaccess/magpie/>

  Existing companies and organizations that caption and describe TV
  shows and videos are generally incapable of doing the same for
  online media. The Caption Center and the Descriptive Video Service
  at WGBH are pretty much the only options.

<http://captioncenter.wgbh.org/>
<http://dvs.wgbh.org/>


**The Knowledge Gap** -- But the technical issues are nothing
  compared to the knowledge gap. Captioning and audio description
  (and two related techniques, subtitling and dubbing) are
  fiendishly difficult. You thought designing Web pages was hard?
  Captioning isn't anything remotely resembling simple
  transcription, and have you ever tried to sum up a scene of your
  favourite TV show in five seconds or less? There are, moreover, no
  training materials or courses available to teach captioning, audio
  description, subtitling, or dubbing (save for one limited course
  in description in the U.K.).

  Two recent technologies, Macromedia's Flash and burning your own
  DVDs, have thrown a spotlight on the knowledge gap.

  Flash, the nearly ubiquitous, widely misused multimedia authoring
  tool, has single-handedly spawned an Internet catchphrase: "Skip
  intro." Flash animations are inaccessible, period. There is no way
  for a screen reader or other adaptive technology to interpret
  Flash "content." Even demonstration projects in Flash, such as one
  at the University of Toronto's SNOW (Special Needs Opportunity
  Windows) project, access come equipped with a range of
  instructions and caveats.

<http://snow.utoronto.ca/initiatives/flash.html>

  Macromedia has, however, finally admitted it has a problem, and
  the company now maintains impressive-looking pages devoted to
  Flash accessibility. Unfortunately, having read all the Macromedia
  materials and spoken at length with the fellow running the access
  project, it is pretty clear that Macromedia does not itself
  understand the issues involved with access, let alone the
  difficulty of training Flash authors. And even if the technology
  provided bulletproof, reliable access to alternate versions of
  Flash content (like captioned or described variants), Flash
  artists have no training materials or programs available to learn
  how to create the alternate versions.

<http://www.macromedia.com/macromedia/accessibility/>
<http://www.alistapart.com/stories/unclear/>

  Then there is the capability to burn your own DVDs. Steve Jobs
  made a big splash earlier this year at Macworld Expo San Francisco
  2001 with iDVD and DVD Studio Pro, Apple's software that lets
  consumers and professionals assemble and record their own DVDs
  using the SuperDrive available on high-end Power Mac G4s. DVD
  Studio Pro lets you encode multiple audio tracks and subtitle
  streams. That's great, however, just because you can add these
  features to your DVD media doesn't guarantee accessibility. Poorly
  done captions and descriptions can be worse than none at all.

<http://www.apple.com/dvdstudiopro/>
<http://www.joeclark.org/dvdsubs.html>


**What about Napster?** No discussion of multimedia on the Web
  would be complete without addressing Internet radio stations,
  Napster, and anything else that's audio-only. Here the group
  chiefly affected is deaf and hard-of-hearing people. Although
  music videos on television and home video in North America can be
  and are closed-captioned (they're audio-visual), there's no way to
  make traded music files accessible.

<http://www.joeclark.org/snowcc.html>
<http://www.joeclark.org/vibecc.html>
<http://www.joeclark.org/slogancc.html>

  Online audio files that contain speech, however, can be
  transcribed, and indeed this is the preferred method for academic
  lectures (think electronic learning ventures) and literary
  readings. It is conceivable to encode visible captions in a
  QuickTime stream that includes audio only, but no one's doing it.
  (You can also encode the transcript as a SMIL file, with attendant
  incompatibilities and knowledge-gap issues.)

  Another issue is the accessibility of plug-ins themselves.
  Streaming audio is attractive to blind and visually-impaired
  people, but you still need to control the QuickTime (or RealAudio
  or Windows Media) player, probably using a screen reader and
  keyboard commands. QuickTime keyboard equivalents on the Mac are
  skimpy and controlling QuickTime media often requires direct
  manipulation of images a blind person couldn't necessarily see.
  RealPlayer Plus keyboard shortcuts are extensive, though more so
  on Windows. If Windows Media Player has any keyboard shortcuts at
  all, they're not documented online.

<http://www.apple.com/quicktime/resources/qt4/us/help/sc/pgs/scShrtct.htm>
<http://service.real.com/help/player/plus_manual.8/htmfiles/
keyboardshtcuts.htm#14791>


**Nothing but Trouble** -- So there's trouble in paradise when it
  comes to accessibility. Everywhere you look - adaptive software
  and hardware, Apple's own corporate support, developer commitment,
  Web design, browsers, multimedia - on Windows, the situation is
  always at least noticeably less bad and often clearly superior.

  Discouraging, all this. But it doesn't have to be this way. After
  twenty years of watching captioned, described, dubbed, and
  subtitled TV, writing about it, lecturing and hectoring over it,
  and obsessing over it, I know from experience that a certain
  minority of non-disabled people really get accessible media.

  Try it yourself: watch all your television and home video with
  captions (or DVD subtitles) turned on for a good two weeks. (No
  cheating. Two weeks. Nearly all recent televisions come equipped
  with caption-decoding chips in North America, Europe, and
  elsewhere.) You'll quickly find you have developed new skills in
  reading, listening, and watching simultaneously. There's modest
  experimental evidence that even people entirely new to captioning
  become proficient at understanding TV even with the new
  information track.

<http://www.joeclark.org/research-roundup.html#eye>

  By the way, in North America deaf captioning viewers are now the
  minority. Even with the poor typographic quality of captions and
  DVD subtitles, and the many technical limitations, watching a
  video stream with captions or subtitles is a much richer
  experience.

<http://www.joeclark.org/hearing-maj.html>

  But you know what would really help? Some mojo from Steve Jobs.
  What odds do you give that Steve Jobs is the kind of person who
  truly gets accessible media, or would get it if properly
  introduced? Jobs is already a media tycoon and an evangelist for
  desktop movies on the Mac. He needs a few demonstrations of what
  accessible media - and, for that matter, adaptive technology - can
  do on a Macintosh. Would he then get religion and bring all of his
  powers of expression to bear, making it cool?

  With that kind of imprimatur, wouldn't we finally see some real
  action on the issue of accessibility on the Macintosh?

  [Joe Clark is a former journalist in Toronto who's followed,
  written about, and worked in the disability field for two decades.
  Explore his many online accessibility resources at his Web site.]

<http://joeclark.org/access/>


Come Together: Document Collaboration, Part 3
---------------------------------------------
  by Adam C. Engst <ace@tidbits.com>

  Last week I examined a number of document collaboration systems
  I've used and passed on some advice for setting up a system of
  your own. However, all the systems I talked about involved sending
  files - usually Microsoft Word files - via the Internet. This week
  I'm going to look at a couple of document collaboration systems
  that exist entirely on the Internet: QuickTopic and WikiWikiWebs.
  A few similar systems that I haven't used have also been mentioned
  in TidBITS Talk - be sure to check them out too.

<http://db.tidbits.com/getbits.acgi?tbart=06349>
<http://db.tidbits.com/getbits.acgi?tlkthrd=1312>


**QuickTopic Document Review** -- The first of these services is
  the new QuickTopic Document Review Web site. First, QuickTopic
  itself is a lightweight Web-based single-topic discussion space.
  It's not completely private - the only security is through
  obscurity (the URL for your discussion contains a randomized set
  of letters and numbers) - but it could be useful for quick
  discussions. It displays messages one on top of the other on a Web
  page, and it can email you the messages if you prefer. It's a
  clever idea, but I prefer to use Eudora, which offers more
  flexible reading and writing environments, and archives everything
  for posterity.

<http://www.quicktopic.com/>

  I've found QuickTopic Document Review more interesting, because it
  provides an easy way to let any number of people read and comment
  on a document without worrying about file formats, file exchange,
  or comment conventions. All anyone needs is a Web browser.

<http://www.quicktopic.com/newfeature.html>

  Here's how it works. First, someone uploads an HTML document, and
  QuickTopic Document Review prefixes each paragraph with a "comment
  dot" and a sequentially numbered link. To make a comment, click
  the comment dot or numbered link, and then enter your comment in
  the text entry box that appears on the next page. When you submit
  the comment, QuickTopic creates a new discussion linked to the
  document and displays it. Paragraphs with comments get a little
  eyeglasses icon in the original document, next to the comment dot.
  You can also view comments alone or comments along with the
  paragraph they refer to, and you can sort comments by poster or by
  paragraph number, all of which can be helpful when integrating
  comments into your original document (which you must do manually,
  of course).

  The XNSORG Communications Working Group recently tried QuickTopic
  Document Review for reviewing a large white paper. It worked well,
  though there are some rough spots. For instance, making comments
  and submitting them both take you to new pages, so you must either
  create comments in new windows or click Back twice to return to
  the original document. The developer of QuickTopic is constantly
  polishing the system, so I have high hopes for its future.

  To get a sense of how QuickTopic Document Review works, try
  commenting on this article via the link below.

<http://www.quicktopic.com/6/D/saEbesdoTmcH.html>


**Wikis** -- QuickTopic Document Review enables _reviewing_ of
  documents, but what if you want multiple people to _edit_ the same
  document online? For that, you can turn to another technology
  called a WikiWikiWeb (the term comes from the Hawaiian word for
  "quick" and is often abbreviated to "wiki").

  A wiki is Web-based software that provides live document editing
  via the Web. In fact, a wiki enables live editing of entire Web
  sites, complete with automatic page creation. This level of
  freedom can be unsettling, accustomed as we are to the laborious
  process of creating, editing, uploading, and modifying Web pages.
  It's even more disturbing to think that anyone could edit or even
  delete your text. And yet, from what I can gather from reading
  wikis and talking to people who use them seriously, such textual
  vandalism seldom happens.

  The main reason is akin to why open source works - social pressure
  to fit into the group. Other protection mechanisms exist as well.
  Every version of a wiki page is saved (efficiently, through the
  use of diffs that record just changes between versions) so you can
  always go back to a pre-vandalized version. Plus, some wikis
  provide IP-range and password security to individual pages so, for
  instance, everyone can read a page, but only some people can make
  changes. Another option lets only authorized people edit a page,
  but allows anyone to add comments to the end.

  Another aspect of wikis that tends to throw people is that
  formatting is minimal. Wikis aim to promote communication, not
  layout. The level of formatting varies between wikis, but there
  are usually simple wiki-specific formatting rules (like turning
  lines starting with asterisks into bulleted lists, turning lines
  of several dashes into horizontal rules, and so on). Many wikis
  also support HTML markup, though most people don't bother since
  it's seldom worth the effort. Some wikis support graphics, but
  it's safe to say that most primarily contain text.


**Using Wikis** -- The original WikiWikiWeb was created by Ward
  Cunningham, but I've found that site's explanations overly
  abstract and disorganized. It's interesting to browse around in
  Ward's original wiki, though I'll warn you that it's easy to
  become brain-boggled in the process.

<http://www.c2.com/cgi/wiki?WikiWikiWeb>

  Since the wiki software itself is open source, a vast number of
  wiki clones have arisen, written in a wide variety of languages
  and running on a wide variety of platforms. Some even provide free
  wiki space to all comers, so you can set up your own wiki for
  testing or document collaboration, such as on the WikiWeb site
  (where they also sell wiki software for intranet use).

<http://www.c2.com/cgi/wiki?WikiWikiClones>
<http://www.wikiweb.com/>

  I used the WikiWeb site to collect questions for the annual
  Netters Dinner Survey at Macworld Expo this year. People could
  read the existing questions, and then either edit them (to add new
  answers, for instance) or add new questions. It worked relatively
  well for gathering a base set of questions which I used when
  emceeing the obligatory raise-your-hands survey. I've also set up
  another page on WikiWeb where I originally encouraged people from
  TidBITS Talk to explore and post comments - it showed me that
  wikis are too free-form for discussions, since comments can be
  added anywhere and there's no indication of when comments were
  made or (sometimes) who made them. Where wikis shine is creation
  and editing of documents, and so you can see what it would be
  like, I've uploaded this entire article to the WikiWeb site as
  well.

<http://www.wikiweb.com/~NettersDinnerSurvey>
<http://www.wikiweb.com/~TidBITSWiki/TidBITSWikiComments>
<http://www.wikiweb.com/~TidBITSWiki/DocumentCollaborationArticle>

  I've had more experience with XNSORG's internal wiki (we hope to
  open it up soon) for developing and reviewing content. Pages start
  in one of two ways - either essentially blank or relatively
  complete. For instance, we're talking about new content for our
  home page right now, so I created a page (page creation is merely
  a matter of naming the page and clicking a link) and roughed in
  some text. My goal is not to do all the work on the first pass
  myself, but to put enough material up there that others, when I
  send them the URL to that page, will be jogged into adding text,
  making changes, or perhaps just making comments. Plus, I can make
  changes any time I want without needing to distribute new
  versions. This approach can work well for starting a document no
  one desperately wants to create, since it spreads the workload. In
  this case, someone always ends up taking responsibility for the
  document, which entails copy editing, checking links, and tweaking
  the formatting.

  At other times it makes more sense to take a mostly completed
  document and put it up on a wiki page for review and editing. This
  approach can save time for the person primarily responsible for
  the document, since the people reviewing often find and fix minor
  errors and can add or modify explanations as appropriate. This
  doesn't eliminate the need for the author to do the final edit
  pass, but it remains a flexible way to collect comments and
  changes without maintaining or distributing multiple versions.

  Other uses we've found for the wiki include an easy way to publish
  working group meeting minutes without the effort of building and
  posting traditional Web pages, an open agenda to which all members
  of a working group can add items, "road map" documents which
  change frequently, and to-do lists for members of working groups.
  Overall, I'd say the wiki is a great success, and we're still
  thinking of ways to use it. For instance, once we can open it up
  to the public, we'd like to use it for FAQs, so people could ask
  questions and we could answer them, right on the same page as all
  the others while avoiding the slow process of revising and posting
  traditional HTML documents in a group setting.


**Wiki on the Mac** -- Although I found the public WikiWeb site, I
  wanted to see about running a wiki on a Mac. Most wikis are
  written in nominally cross-platform languages like Java or Perl,
  but I have neither the time nor the expertise to get them running
  on a Mac. Then I was alerted to the existence of Swiki, which was
  written in a Smalltalk variant called Squeak, developed initially
  as a research project at Apple (the developers reportedly followed
  Alan Kay to Disney). Swiki (I can't believe they missed naming it
  SqWiki, or "squeaky") requires its own Web server, called
  Comanche, and you can download and install the complete package
  for free. It wasn't hard - just follow the instructions on the
  second link below (since the instructions themselves are on a
  wiki, I did some editing in the one place I found them confusing).

<http://pbl.cc.gatech.edu/myswiki>
<http://minnow.cc.gatech.edu/swiki/16>

  I haven't tested it under any strain, but it seems to work on my
  PowerBook G3 (other than email notification of changed pages).
  I've also been impressed with Swiki's feature set - although I'm
  by no means experienced with wikis, Swiki seems to offer
  significantly more features in terms of formatting and access
  controls than many other implementations. If you like playing with
  Internet servers, Swiki is definitely worth a look.

  Although the PowerBook is a lousy server machine for the simple
  reason that I take it offline on occasion, I'm considering testing
  Swiki as a way to collaborate with authors on TidBITS article
  drafts. The two main drawbacks are that editing tools available in
  a Web browser text field are primitive at best, and we'd lose our
  internal color coding system if we took the text out of Nisus
  Writer. However, I think I can address these criticisms with a
  macro that uses Nisus Writer as the editing environment and
  translates between Nisus Writer's formatting and Swiki markup.

  We'll see how it works, and perhaps I'll end up with an additional
  resource in my document collaboration tool kit for future
  projects. In the meantime, I hope this series has been helpful in
  providing ideas for your own collaboration needs, and make sure to
  share other approaches you've used on TidBITS Talk.

$$

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